Sunday, September 21, 2014

Butter Chicken in Ludhiana by Pankaj Mishra

"I can't bear to read Indian writers," she said.
I pulled my eyebrows back into position before anyone else in the group registered that they had risen to my hairline. Nobody else seemed to be perturbed by her statement, almost all of them were doing the Indian yes-no-maybe nod. They were all Indians, including her. They were all writers, or trying to be, including her. So why was nobody offended by that statement, including her? I stayed mum too I regret to say. In my defense though it was my first meeting with this group. I had just discovered that I wanted to write, the others had been pursuing writing and getting published for a few years. I did not stay in that group much longer.

Her statement had bothered me but I realised that I had not read many Indian authors myself, and would have struggled to come up with ten names. That patriotic feeling was primarily why I chose Pankaj Mishra's Butter Chicken in Ludhiana in my list of books for the year. Butter chicken... is an account of the author's travels through small Indians towns. The author does not give the dates of his trip, I wish he had, but it seems to be sometime in the early 90s. He presents the real small town India and the real small town Indian with all the blemishes as seen through a microscope. Nothing escapes. Nothing is romanticised. Including Simla, India's honeymoon destination of that decade. Mishraji does not go looking for touristic attractions to write about. His book is more a descriptive tale of things and people that come in his line of sight. It would definitely not endear India to prospective tourists, in fact quite the contrary. The narrative moves at a good pace and the author's insight and subtle humour keeps it interesting. It is not a must-read but it is an interesting read for its different take on travel writing.

I am hopeful that Karma has made a note of my nationalist effort and some day when there is a book with 'by Himali Kothari' on it, many an Indian in small towns and big will pick it up from a pile of those by Johns and Janes.      


Saturday, September 13, 2014

1984 - From the future

1984 is not one of those books that grabbed me from sentence one and pulled me along. In fact, the first 4-5 pages had me trudging along and the thought of quitting often crossed my mind. But, the memory of Orwell's Animal Farm goaded me to stick on. And I am glad I did.

George Orwell wrote 1984 in 1948, which makes the novella futuristic. Unfortunately in this future, people don't drive flying cars, eat pills for food and vacation on the moon, something my school essays about the future always had. The author in his book projects a grim future. And he projects it so well that as I visualise the protagonist Winston in his home, at work, the park even, all I see is grey. Not the sharp lines of black and white. But, grey, blurry grey in its many shades. 

As the plot unfolds, and the extreme future that Orwell projects comes to light, my first thought is 'Bah! That's a bit extreme'. But as I go further and the layers under the plot become more evident I think 'Genius! This man saw the future.' Censorship, corruption of power, extreme surveillance...Orwell spoke the language that has become a part of our existence today. The story moves and the parallels between the reality of the story and the reality of today become more evident. And that scares me. 

The one thing that Orwell could not foresee was the evolution of the language. Winston's use of terms like 'deep-bosomed maidens' and 'old boy' and when he says of Julia that 'he would ravish her' don't fit into the future of 1984. They existed in Orwell's times but soon fell out of favour.

Trivia: The character of Big Brother in the story is the inspiration behind the UK-based reality show Big Brother, also known as Big Boss in India.